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Ian Penman (born 1959) is a British writer, music journalist, and critic. He began his career as a writer for the ''NME'' in 1977, later contributing to various publications including ''Uncut'', ''Sight & Sound'', ''The Wire'', ''The Face'', and ''The Guardian''. He is the author of ''Vital Signs: Music, Movies, and Other Manias'' (1998, Serpent's Tail). ==Biography== Penman was born in Wiltshire, UK in 1959.〔(Rock's Backpages )〕〔Bhob Stewart, ''Publishers Weekly''.〕 He spent much of his childhood abroad in the Middle East and Africa, returning to Norfolk in 1970.〔(Rock's Backpages )〕 Skipping higher education,〔(''frieze'' )〕 Penman began writing for prominent British music magazine, the ''New Musical Express'', in the autumn of 1977.〔(London Review of Books )〕 Much of Penman's writing reflected his involvement in the nascent post-punk scene developing in London in the late 1970s. Along with fellow ''NME'' writers such as Paul Morley and Barney Hoskyns, Penman soon developed an innovative style of music criticism dense with allusions to critical theory, post-structuralist philosophy, and other art mediums, and often experimental in its prose.〔(''frieze'' )〕 With their increasingly esoteric writing standing in contrast to the magazine's more accessible competitors, such as ''Melody Maker'', the ''NME'' soon began to alienate its readership; it is estimated that within several years, the magazine suffered the loss of half its circulation, in large part due to the new direction of Penman and his colleagues.〔(frieze )〕 Penman continued writing intermittently for the ''NME'' until 1985, when the magazine began moving in an increasingly commercial direction. He began freelance work for various outlets, including ''The Face'', ''Arena'', the ''Sunday Times'', ''The Independent'', and the ''New Statesman''. In the 1990s, he contributed to ''The Wire''. In 1998, Penman published a compilation of his work entitled ''Vital Signs: Music, Movies, and Other Mania'' on Serpent's Tail to positive reviews. Julia Kenna reviewed the book for ''Rolling Stone'', commenting, Full of contradictions and witty one-liners, Penman uses language as an art form, playing with puns, synonyms, repetition, and punctuation for added effect... Two decades of politics, music and pop culture with a whip-smart wit and wisdom that draws you in and doesn’t let go. Penman contributed the text to the catalogue of photographer Robert Frank's exhibition ''Storylines'' (Tate Modern. 2004). In recent years, Penman has continued contributing to various publications, such as ''The Wire'' and the ''London Review of Books'', and is working on a book about Britain in the 1970s.〔(London Review of Books )〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Ian Penman」の詳細全文を読む スポンサード リンク
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